{"id":67213,"date":"2026-10-16T21:30:01","date_gmt":"2026-10-16T21:30:01","guid":{"rendered":"https:\/\/itsnotaboutme.tv\/news\/?p=67213"},"modified":"2026-10-16T21:30:01","modified_gmt":"2026-10-16T21:30:01","slug":"dance-ronald-k-brown-evidence-dance-company-at-the-wallis","status":"publish","type":"post","link":"https:\/\/itsnotaboutme.tv\/news\/dance-ronald-k-brown-evidence-dance-company-at-the-wallis\/","title":{"rendered":"DANCE: RONALD K. BROWN\/EVIDENCE DANCE COMPANY AT THE WALLIS"},"content":{"rendered":"<h1>RONALD K. BROWN\/EVIDENCE DANCE COMPANY AT THE WALLIS<\/h1>\n<p>Shockingly, I was not aware of this revered dance company prior to noticing that they would be at my favorite theatre, The Wallis in Beverly Hills, which always brings its audiences the best in dance. So of course I couldn\u2019t wait to see Ronald K. Brown\/Evidence there, and I was treated to an incredible show. And, for once, I have not even one slightly negative thing to say about a performance!<\/p>\n<p>But I <em>do<\/em> have a major question about Ronald K. Brown\/Evidence. And that is: How did I not know about this fabulous forty-year-old company before??? Especially because they\u2019re from my beloved Brooklyn!!! And my favorite class when I was a dance major at UCLA was Afro-Jazz! So all signs pointed to that I should have, at the very least, been familiar with them. Leave it to The Wallis to fill in that dance education for me. I wholeheartedly thank them for this introduction.<\/p>\n<div id=\"attachment_67220\" style=\"width: 712px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/itsnotaboutme.tv\/news\/wp-content\/uploads\/2026\/10\/u-d-e1792183950886.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-67220\" class=\"size-large wp-image-67220\" src=\"https:\/\/itsnotaboutme.tv\/news\/wp-content\/uploads\/2026\/10\/u-d-e1792183950886-1024x335.jpeg\" alt=\"\" width=\"702\" height=\"230\" srcset=\"https:\/\/itsnotaboutme.tv\/news\/wp-content\/uploads\/2026\/10\/u-d-e1792183950886-1024x335.jpeg 1024w, https:\/\/itsnotaboutme.tv\/news\/wp-content\/uploads\/2026\/10\/u-d-e1792183950886-300x98.jpeg 300w, https:\/\/itsnotaboutme.tv\/news\/wp-content\/uploads\/2026\/10\/u-d-e1792183950886-768x251.jpeg 768w, https:\/\/itsnotaboutme.tv\/news\/wp-content\/uploads\/2026\/10\/u-d-e1792183950886.jpeg 1058w\" sizes=\"auto, (max-width: 702px) 100vw, 702px\" \/><\/a><p id=\"caption-attachment-67220\" class=\"wp-caption-text\">Ronald K. Brown\/Evidence.<\/p><\/div>\n<p>Ronald K. Brown is the Artistic Director and main choreographer of his company, Evidence, which is a mesmerizing combination of contemporary dance and Afro-jazz. All the choreography I saw that night at The Wallis was stunning!<\/p>\n<p>The quartet of spectacular pieces they graced us with, all choreographed by Ronald K. Brown, are <em>Tender Warriors<\/em>, (which was co-choreographed by Associate Artistic Director, Arcell Cabaug,) <em>Clear as Tear<\/em> <em>Water<\/em>, <em>Upside Down<\/em>, and <em>Come Ye<\/em>. They all featured fluid and dynamic movements and reminded me why dance deserves to be the most respected art.<\/p>\n<div id=\"attachment_67219\" style=\"width: 310px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/itsnotaboutme.tv\/news\/wp-content\/uploads\/2026\/10\/tender-warriors-e1792184019816.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-67219\" class=\"size-medium wp-image-67219\" src=\"https:\/\/itsnotaboutme.tv\/news\/wp-content\/uploads\/2026\/10\/tender-warriors-e1792184019816-300x286.jpeg\" alt=\"\" width=\"300\" height=\"286\" srcset=\"https:\/\/itsnotaboutme.tv\/news\/wp-content\/uploads\/2026\/10\/tender-warriors-e1792184019816-300x286.jpeg 300w, https:\/\/itsnotaboutme.tv\/news\/wp-content\/uploads\/2026\/10\/tender-warriors-e1792184019816.jpeg 640w\" sizes=\"auto, (max-width: 300px) 100vw, 300px\" \/><\/a><p id=\"caption-attachment-67219\" class=\"wp-caption-text\">Ronald K. Brown\/Evidence.<\/p><\/div>\n<p>I was so riveted to the performance that I could not take many notes. (And those I <em>did<\/em> take got mushed together because I did not want to look down for even one second.) So for once, I cannot review each number individually, which is not a bad thing. It means that I loved every second of this presentation, and don\u2019t feel the need to analyze <em>any<\/em> of it! I just took it as the gorgeousness that it was and was enthralled by it all. I did not want the third number, <em>Upside Down<\/em>, (right before intermission,) to end. (But when it <em>did<\/em>, and the lights came up, I quickly jotted-down, \u201cI love this show!!!\u201d)<\/p>\n<p>The entire program featured so much varied choreography, even though it&#8217;s all within the same genre. The dancers never stopped moving through it all. I just enjoyed seeing all this pure dance, without trying to decipher the meanings of each number. However, after doing extensive research on this company for the week since I saw them, I\u2019ve learned that each dance does, in fact, portray something important. But I appreciate that they didn\u2019t hit us over the head with those meanings. (You can always read up on all that on their site below. I\u2019m just telling you of the excellence that I saw that night.)<\/p>\n<p>I had remarked to someone that the number where the dancers are dressed all in white reminded me a bit of Alvin Ailey\u2019s <em>Revelations<\/em>, and later I found-out that Mr. Brown had worked with that company several times in the past! What a great pairing that must have been!<\/p>\n<div id=\"attachment_67216\" style=\"width: 712px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/itsnotaboutme.tv\/news\/wp-content\/uploads\/2026\/10\/RC2AZSfQ-e1792183212384.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-67216\" class=\"size-large wp-image-67216\" src=\"https:\/\/itsnotaboutme.tv\/news\/wp-content\/uploads\/2026\/10\/RC2AZSfQ-e1792183212384-1024x552.jpeg\" alt=\"\" width=\"702\" height=\"378\" srcset=\"https:\/\/itsnotaboutme.tv\/news\/wp-content\/uploads\/2026\/10\/RC2AZSfQ-e1792183212384-1024x552.jpeg 1024w, https:\/\/itsnotaboutme.tv\/news\/wp-content\/uploads\/2026\/10\/RC2AZSfQ-e1792183212384-300x162.jpeg 300w, https:\/\/itsnotaboutme.tv\/news\/wp-content\/uploads\/2026\/10\/RC2AZSfQ-e1792183212384-768x414.jpeg 768w, https:\/\/itsnotaboutme.tv\/news\/wp-content\/uploads\/2026\/10\/RC2AZSfQ-e1792183212384.jpeg 1280w\" sizes=\"auto, (max-width: 702px) 100vw, 702px\" \/><\/a><p id=\"caption-attachment-67216\" class=\"wp-caption-text\">Ronald K. Brown\/Evidence.<\/p><\/div>\n<p>All eleven of the dancers I saw are superior, but I did take special note of a few of them. Gumby-esque Xhosa Scott caught my eye right away, and my attention was drawn to him for the rest of the night, as well. I was also impressed by the <em>biggest<\/em> guy, Gregory Marquis, for being incredibly light on his feet. And the lone dancer in the second number, (who I believe was Guest Artist Khalia Campbell,) was exquisite. I\u2019m so jealous of her arms. And her <em>everything<\/em>, actually. (And extra credit goes to the music for that one, <em>Heaven<\/em>, which was the perfect accompaniment.)<\/p>\n<p><em>All<\/em> of the music throughout the evening was spot-on. I usually have some issue with that aspect of dance shows, but every single one of their choices was wonderful. Most even made me want to get up and dance with them! (But luckily for all concerned, I was able to hold myself back.) I kept thinking that these are artists I definitely want to party with. For a few moments, I actually wished that I still ran my nights at hip-hop clubs here so I could invite them all.<\/p>\n<p>One word about the curtain call. At the very end of it, Ronald K. Brown and Arcell Cabaug came out on one side, bowed, and then boogied to the beat a bit with the cast. I really enjoyed that; it made the whole night even a tad more upbeat.<\/p>\n<div id=\"attachment_67228\" style=\"width: 712px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/itsnotaboutme.tv\/news\/wp-content\/uploads\/2026\/10\/Unknown-3-e1792183710904.jpeg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-67228\" class=\"size-large wp-image-67228\" src=\"https:\/\/itsnotaboutme.tv\/news\/wp-content\/uploads\/2026\/10\/Unknown-3-e1792183710904-1024x291.jpeg\" alt=\"\" width=\"702\" height=\"199\" srcset=\"https:\/\/itsnotaboutme.tv\/news\/wp-content\/uploads\/2026\/10\/Unknown-3-e1792183710904-1024x291.jpeg 1024w, https:\/\/itsnotaboutme.tv\/news\/wp-content\/uploads\/2026\/10\/Unknown-3-e1792183710904-300x85.jpeg 300w, https:\/\/itsnotaboutme.tv\/news\/wp-content\/uploads\/2026\/10\/Unknown-3-e1792183710904-768x218.jpeg 768w, https:\/\/itsnotaboutme.tv\/news\/wp-content\/uploads\/2026\/10\/Unknown-3-e1792183710904-1536x436.jpeg 1536w, https:\/\/itsnotaboutme.tv\/news\/wp-content\/uploads\/2026\/10\/Unknown-3-e1792183710904.jpeg 1802w\" sizes=\"auto, (max-width: 702px) 100vw, 702px\" \/><\/a><p id=\"caption-attachment-67228\" class=\"wp-caption-text\">The curtain call with Ronald K. Brown and Arcell Cabaug on the very left. Photo by Karen Salkin.<\/p><\/div>\n<p><strong>To find-out more about the Ronald K. Brown\/Evidence company, just click here: <a href=\"http:\/\/www.evidencedance.com\">www.evidencedance.com<\/a><\/strong><\/p>\n<p><strong>And please make sure to <em>always<\/em> check-out The Wallis\u2019 schedule\u2014there\u2019s perpetually something wonderful on tap there. Here\u2019s their site: <a href=\"http:\/\/thewallis.org\">thewallis.org<\/a>.<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>RONALD K. BROWN\/EVIDENCE DANCE COMPANY AT THE WALLIS Shockingly, I was not aware of this revered dance company prior to noticing that they would be at my favorite theatre, The Wallis in Beverly Hills, which always brings its audiences the best in dance. So of course I couldn\u2019t wait to see Ronald K. Brown\/Evidence there,<\/p>\n<div class=\"read-more\"><a href=\"https:\/\/itsnotaboutme.tv\/news\/dance-ronald-k-brown-evidence-dance-company-at-the-wallis\/\" title=\"Read More\">Read More<\/a><\/div>\n","protected":false},"author":1,"featured_media":67221,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[8],"tags":[],"class_list":["post-67213","post","type-post","status-publish","format-standard","has-post-thumbnail","category-dance"],"_links":{"self":[{"href":"https:\/\/itsnotaboutme.tv\/news\/wp-json\/wp\/v2\/posts\/67213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/itsnotaboutme.tv\/news\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/itsnotaboutme.tv\/news\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/itsnotaboutme.tv\/news\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/itsnotaboutme.tv\/news\/wp-json\/wp\/v2\/comments?post=67213"}],"version-history":[{"count":9,"href":"https:\/\/itsnotaboutme.tv\/news\/wp-json\/wp\/v2\/posts\/67213\/revisions"}],"predecessor-version":[{"id":67231,"href":"https:\/\/itsnotaboutme.tv\/news\/wp-json\/wp\/v2\/posts\/67213\/revisions\/67231"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/itsnotaboutme.tv\/news\/wp-json\/wp\/v2\/media\/67221"}],"wp:attachment":[{"href":"https:\/\/itsnotaboutme.tv\/news\/wp-json\/wp\/v2\/media?parent=67213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/itsnotaboutme.tv\/news\/wp-json\/wp\/v2\/categories?post=67213"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/itsnotaboutme.tv\/news\/wp-json\/wp\/v2\/tags?post=67213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}