![\"Adrian](\"http:\/\/itsnotaboutme.tv\/news\/wp-content\/uploads\/2017\/05\/S_T_0099-copy-21-e1495442864248.jpg\")
<\/a>Adrian Neil and Susan Priver. Photo by Ed Krieger.<\/p><\/div>\n
Separate Tables<\/em> is a British play from 1954. The setting is a residential hotel by the sea.\u00a0 But here\u2019s what I didn\u2019t<\/em> know about this show going in, that I wish I had:\u00a0 Separate Tables\u00a0<\/em>is actually the title of a duo<\/em> of one-act plays that are set in the same hotel, and share some of the same characters.\u00a0 But the two stories take place a year-and-a-half apart, and feature different\u00a0main characters.\u00a0 The principal man and woman from each act were written to be played by the same actor and actress, which they chose not to do in this production. I\u2019m glad of that decision in this case, because the second act would have been even more confusing than it already was. This is important info that I feel should be made clear in the program, so that audiences understand just what they are seeing. But now you all are aware of it, which will help if you follow my advice to see the show. [Note: When Separate Tables<\/em> was made into a film in 1958, I believe both stories were concurrent, rather than eighteen months apart, so all roles were played by separate actors, as they are in this production.]<\/p>\n But, that tiny bit of bother aside, this show is a really good ride. All of the elements\u2014set, costumes, wigs, appointments, accents, music– make it really feel like an old movie, which is special for a theatre to be able to create.<\/p>\n The set, before the play begins. Photo by Karen Salkin, as is the big one at the top of this page.<\/p><\/div>\n I\u2019m always a fan of Jeff G. Rack\u2019s sets, but he absolutely outdid himself on this one. The opening night audience actually gasped when the set revolved right at the outset of the action, to reveal the glorious dining room of the hotel. The room itself is so appealing that I wanted to jump right on up there and join the diners!<\/p>\n The casting is perfect, as well. Each actor or actress fit his or her role to a tee. The work of the entire cast is excellent. They are all so good, in fact, that it\u2019s hard for me to choose a favorite. But two women really stood out for me. Diana Angelina, as the woman who runs the hotel, is spot-on in her kindness. I could really feel her pain, even though her character masks it well. And Roslyn Cohn just broke my heart. I must admit that I welled-up a time or two, witnessing what her spinster-esque mama\u2019s girl was going through. I actually saw those two as only<\/em> their characters, and didn\u2019t even try to imagine anything else about them, as I often do when I\u2019m watching a play.<\/p>\n David Hunt Stafford and Roslyn Cohn. Photo by Ed Krieger.<\/p><\/div>\n And I must laud them all for their excellent English accents, (which, trust me, is far from the case in most British plays I see in this country!) This is amusing: Adrian Neil, who plays John Malcolm in the first act, asked to sit with my friend and me at the after-party. We said yes without looking up, and when we did, and saw that he was the handsome actor from the play, I actually wondered why he was continuing the accent. (But he was doing a much classier<\/em> British one this time.) And then it hit me, and I let-out a surprised, \u201cOh, you really are<\/em> English!\u201d So, understandably, Adrian gets fewer kudos in the accent department than the rest of the cast.<\/p>\n Adrian Niel and Diana Angelina. Photo by Ed Krieger.<\/p><\/div>\n There\u2019s only one thing wrong with this entire production of Separate Tables<\/em>–it\u2019s a tad too long. I don\u2019t know if theatre companies are allowed to cut classic plays, but there are at least a good twenty minutes that I feel are unnecessary. One bit that should be the first to go is the old-time political talk in Act I. It made my mind wander, and, from talking to other opening night audience members, it produced the same effect on them. We just need the love story in the first act, with the difficulties that<\/em> entails, and not the superfluous dialogue.<\/p>\n But when the only fault I can find with a play is the length, you know it\u2019s a worthwhile endeavor. So have some bangers and mash, and a cuppa tea, and head on over to Theatre 40 to see Separate Tables<\/em>. And don\u2019t forget to bring your hankies!<\/p>\n Separate Tables<\/em> running through April 18, 2017<\/strong> SEPARATE TABLES This is perhaps the most ambitious production I\u2019ve seen at Theatre 40 in Beverly Hills in the almost two and a half years that I\u2019ve been reviewing plays there.\u00a0 And they pulled it off beautifully. Separate Tables is a British play from 1954. The setting is a residential hotel by the sea.\u00a0 But<\/p>\n<\/a><\/a><\/a>
\n Theatre 40 \u00a0241 S. Moreno Drive \u00a0Beverly Hills \u00a0310-364-0535 \u00a0www.theatre40.org<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"