<\/p>\n Photo by Craig Schwartz.<\/p><\/div>\n Story-wise, though, I hadn\u2019t realized that it was about racism. I was sitting at the Ahmanson Theatre in shock! I even researched it when I got home because I had a fleeting thought that perhaps someone had updated it. I hadn\u2019t seen any production of the show since I was a little girl, and I guess I was more fascinated, back then,\u00a0with how a lady could wash her hair onstage rather than who could marry whom. [Two notes: 1) That last part, and my plotline in the next paragraph, are said from a kid\u2019s perspective; I don\u2019t use \u201clady\u201d and \u201crich foreign man\u201d in my current writings! And 2) I\u2019m still just as fascinated by how they do that hair-washing number!]<\/p>\n I doubt that I\u2019m spoiling the story for anyone, but if you don\u2019t want to know anything about the plot, just skip to the next paragraph. I remembered that Nellie, the army nurse leading lady, didn\u2019t want to marry the rich foreign man, but I thought it was just because he was old! I swear–I never heard them use the word \u201ccolored\u201d in relation to his kids! And I thought that the young Lt. Cable was indeed going to marry his island sweetheart. I never heard him say that he couldn\u2019t, when I was a kid. Or I just blocked all the racism out. (Hey–I couldn\u2019t even figure out the racial aspect of Finian\u2019s Rainbow<\/em>!\u00a0And part of the time, an actor was in black face!!!) <\/span>[Note: None of this is because I was dumb–it\u2019s because I seriously didn\u2019t know of racism back then. My parents were like me–inclusive of everyone. Well, I have to admit that now I am a tad prejudiced against two groups: Hare Krishna and rude child actors.]<\/p>\n <\/span><\/p>\n But back to this beautifully-staged production at the Ahmanson. The sets were resplendent and much easier to move than they looked. My favorite aspect was that often the actors in the background of a scene reminded me of the Pageant of the Masters<\/em>, where people make-up the components of master paintings. Each actor took a position in the scenes here, and held them, making each set look like a work of art. I loved that!<\/p>\n Also, they cast an excellent Nellie. Carmen Cusack had such a Mary Martin (the original Nellie) kind-of voice. I can\u2019t believe she never played Peter Pan, especially because she\u2019s so petite. You could tell by her talking voice that she\u2019s a good singer. That last sentence also applies to Rod Gilfry, the older man love interest, though he looked too young for the assignment.<\/p>\n I must be mellowing a bit because I actually hate to report that one cast member was weak, but I must be honest. Anderson Davis, who played the important role of Lt. Cable, was just all wrong to me. His looks were okay, (he actually looked like an older version of my handsome nephew, David,) but his singing left tons to be desired. And he didn\u2019t stand-up straight, especially noticeable when he was shirtless. I was cringing in my seat.\u00a0(I have a feeling that Matthew Morrison, from Glee<\/em>, was perfect in the role in the recent Lincoln Center revival. It was interesting to see him in the audience on opening night at the Ahmanson.)<\/span><\/p>\n \u00a0<\/span>But his<\/em> love interest, played by Sumie Maeda, was so graceful in her pantomime to Happy Talk<\/em>, that she semi made-up for him. I could have just watched her hands move all night.<\/p>\n I do have one bone to pick with this touring production, especially now that I know that the race of the children is central to the action. The ones who are cast as the Polynesian youngsters appear to be African-American, which ruins what\u2019s going on. I really hate it when ethnicities aren\u2019t portrayed correctly, in order to have a politically-correct cast. I always joke that in this day and age of cross-over acting jobs, I\u2019m going to star in Raisin In The Sun<\/em>! On a recent episode of Glee<\/em>, the character played by Kristin Chenoweth says that she\u2019s going to mount an all-white production of The Wiz<\/em>. Those are just jokes, of course, because all those parts are meant to be played by black actors, and no other ethnicity would work. That\u2019s how I feel about all roles that require white actors. It won\u2019t hurt anyone\u2019s feelings, and will make it easier for theatre newbies to understand. There may not be any Polynesian, or more specifically, Melanesian, child actors around, but Asian or Spanish children would look closer to the intent of the script. I\u2019m just saying.<\/span><\/p>\n \u00a0<\/span>There\u2019s not much more to say. A wonderful entertainment PR man pal of mine, Michael Sterling, who knows more about musicals than all of the rest of us put together, wrote this to me, after the opening: \u201cThe show was absolutely extraordinary and made this man cry like a baby. I\u2019ve seen it a half dozen times or so in my life, but seeing the all new, rejuvenated 2008 Broadway revival this week \u2026 was like never having seen it before.\u201d<\/p>\n Since I can\u2019t put it as brilliantly as he did, I just say: go see it while you have the opportunity. Fun sets, great music, wonderful voices, and colorful costumes. What more does a theatre-goer need? (Except to sit next to, and behind, a polite patron with flat hair and no perfume.)<\/p>\n South Pacific<\/em> running through July 17,2010\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ahmanson Theatre 135 N. Grand Ave. 213-972-4400\u00a0\u00a0 <\/strong>www.CenterTheatreGroup.org<\/strong><\/span><\/span><\/a><\/p>\n Note<\/strong>: I rarely do pre<\/em>views, but I really feel an upcoming event at the Music Center, the same downtown complex that houses the Ahmanson and Taper theatres, is worth knowing about. It\u2019s Shen Yun<\/em>, and runs July 8-11 at the Dorothy Chandler Pavilion. The press release describes it thusly: \u201cShen Yun<\/em> Performing Arts takes you on a magical journey spanning 5,000 years of traditional Chinese culture, with a breathtaking blend of music, costumes and performers, transporting you through China\u2019s magnificent dynasties via song and dance.\u201d<\/p>\n I know that my mouth is watering to see it, so I think I can safely recommend it, sight unseen. I\u2019ll review it right after opening night, if you want me to go first, but I have high hopes for it\u2019s greatness.<\/p>\n![\"\"](\"http:\/\/www.itsnotaboutme.tv\/news\/wp\/wp-content\/uploads\/matthew_saldivar_as_luther_billis_and_the_seabees_of_south_pacific_by_peter_coombs1.jpg\" "\\"matthew_saldivar_as_luther_billis_and_the_seabees_of_south_pacific_by_peter_coombs1\\"")
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